Archive for March, 2010

CONCERT IN AID OF THE PENSION FUND OF THE BOSTON SYMPHONY ORCHESTRA. SYMPHONY HALL APRIL 1, 1917

CONCERT IN AID OF THE PENSION FUND OF THE BOSTON SYMPHONY ORCHESTRA. SYMPHONY HALL APRIL 1, 1917

Mahler: Symphony No. 5 / Barenboim, Chicago Symphony

Amazon.comDaniel Barenboim’s performance of Mahler’s Symphony No. 5 begins with a certain sense of detachment and continues that way, seeming both calculated and calculating by turns. The composer’s famous aphorism about the process of symphonic composition being in the nature of “building a world” is quoted in the excellent and detailed booklet notes (no shortage of scholarship here), so it’s intriguing to observe how Barenboim chooses to contain the warmth and passion inherent… More >>
Mahler: Symphony No. 5 / Barenboim, Chicago Symphony

After Symphony of the Hills

Donald Braswell II, San Antonio native, appeared at a Pops Concert at the Symphony of the Hills in Hill Country in Kerrville, Texas on June 27, Donald Braswell Fan Club Newsletter Editor, Doreen Lee, re-designed her beautiful account of this amazing singer’s re-entry into the world of symphonic performance to reflect the experiences of the event. It is NOT my work.  Doreen’s article is brilliantly written and I chose to publish it here untouched:
Songs through Silence:
Donald Braswell’s Impossible Dream
By Doreen Lee
“Ed ho sentito nel silenzio una voce dentro me.”
(And in the silence I heard a voice inside of me.)
~Paolo Limiti
When Donald Braswell took the stage on June 27, 2009 to perform as a soloist in a concert with the Symphony of the Hills in Kerrville, Texas, few knew what to expect.  A majority of the audience consisted of locals anticipating a night of classical and crossover music.  The orchestra members, no doubt accustomed to accompanying classical vocalists, went into that performance like they would any other.  However, when Braswell’s soaring tenor leapt effortlessly through the leggiero passages of “Di’ tu se [...]

Concerto per Pianoforte e Orchestra in Mi Bemolle Maggiore, Op. 73: II. Adagio un poco moso

Concerto per Pianoforte e Orchestra in Mi Bemolle Maggiore, Op. 73: II. Adagio un poco moso

Perfect home for Orchestra & festivals in Boston

With handsome touches of gold, leather and oak throughout the space, the 2,626-seat Boston Symphony hall is a study in reserved elegance. Being home to the Boston Symphony Orchestra and the Pops and adding more value to the hotels in Boston, this Symphony hall has a proud history of 108 years that made it one of the major well known concert halls in the world. It was inaugurated on 15th October 1900 and was the first concert hall designed with acoustical principles in mind. This historic hall has been modeled on the second Gewandhaus concert hall in Leipzig, which was destroyed in World War II, which has given it a 125 long, 61 feet high, and 75 feet wide, rectangular “shoebox” shape. The hall’s leather seats are still original from 1900 and hall seats 2,625 people during Symphony season and 2,371 during the Pops season.
Another feature of its elegance is the 16 Greek and Roman statue replicas which decorate its walls and which have been installed with frequently quoted words, “Boston, the Athens of America,” written by Bostonian William Tudor [...]